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This passage is adapted from George Eliot, Silas Marner. Originally published in 1861. Silas was a weaver and a notorious miser, but then the gold he had hoarded was stolen. Shortly after, Silas adopted a young child, Eppie, the daughter of an impoverished woman who had died suddenly.

Unlike the gold which needed nothing, and must
be worshipped in close-locked solitude—which was
hidden away from the daylight, was deaf to the song
of birds, and started to no human tones—Eppie was a
5 creature of endless claims and ever-growing desires,
seeking and loving sunshine, and living sounds, and
living movements; making trial of everything, with
trust in new joy, and stirring the human kindness in
all eyes that looked on her. The gold had kept his
10 thoughts in an ever-repeated circle, leading to
nothing beyond itself; but Eppie was an object
compacted of changes and hopes that forced his
thoughts onward, and carried them far away from
their old eager pacing towards the same blank
15 limit—carried them away to the new things that
would come with the coming years, when Eppie
would have learned to understand how her father
Silas cared for her; and made him look for images of
that time in the ties and charities that bound together
20 the families of his neighbors. The gold had asked that
he should sit weaving longer and longer, deafened
and blinded more and more to all things except the
monotony of his loom and the repetition of his web;
but Eppie called him away from his weaving, and
25 made him think all its pauses a holiday, reawakening
his senses with her fresh life, even to the old
winter-flies that came crawling forth in the early
spring sunshine, and warming him into joy because
she had joy.
30 And when the sunshine grew strong and lasting,
so that the buttercups were thick in the meadows,
Silas might be seen in the sunny mid-day, or in the
late afternoon when the shadows were lengthening
under the hedgerows, strolling out with uncovered
35 head to carry Eppie beyond the Stone-pits to where
the flowers grew, till they reached some favorite bank
where he could sit down, while Eppie toddled to
pluck the flowers, and make remarks to the winged
things that murmured happily above the bright
40 petals, calling “Dad-dad’s” attention continually by
bringing him the flowers. Then she would turn her
ear to some sudden bird-note, and Silas learned to
please her by making signs of hushed stillness, that
they might listen for the note to come again: so that
45 when it came, she set up her small back and laughed
with gurgling triumph. Sitting on the banks in this
way, Silas began to look for the once familiar herbs
again; and as the leaves, with their unchanged outline
and markings, lay on his palm, there was a sense of
50 crowding remembrances from which he turned away
timidly, taking refuge in Eppie’s little world, that lay
lightly on his enfeebled spirit.
As the child’s mind was growing into knowledge,
his mind was growing into memory: as her life
55 unfolded, his soul, long stupefied in a cold narrow
prison, was unfolding too, and trembling gradually
into full consciousness.
It was an influence which must gather force with
every new year: the tones that stirred Silas’ heart
60 grew articulate, and called for more distinct answers;
shapes and sounds grew clearer for Eppie’s eyes and
ears, and there was more that “Dad-dad” was
imperatively required to notice and account for.
Also, by the time Eppie was three years old, she
65 developed a fine capacity for mischief, and for
devising ingenious ways of being troublesome, which
found much exercise, not only for Silas’ patience, but
for his watchfulness and penetration. Sorely was poor
Silas puzzled on such occasions by the incompatible
70 demands of love.

Câu 1: 1 điểm

Which choice best describes a major theme of the passage?

A.  

The corrupting influence of a materialistic society

B.  

The moral purity of young children

C.  

The bittersweet brevity of childhood naïveté

D.  

The restorative power of parental love

Câu 2: 1 điểm

As compared with Silas’s gold, Eppie is portrayed as having more

A.  

vitality.

B.  

durability.

C.  

protection.

D.  

selfsufficiency.

Câu 3: 1 điểm

Which statement best describes a technique the narrator uses to represent Silas’s character before he adopted Eppie?

A.  

The narrator emphasizes Silas’s former obsession with wealth by depicting his gold as requiring certain behaviors on his part.

B.  

The narrator underscores Silas’s former greed by describing his gold as seeming to reproduce on its own.

C.  

The narrator hints at Silas’s former antisocial attitude by contrasting his present behavior toward his neighbors with his past behavior toward them.

D.  

The narrator demonstrates Silas’s former lack of self-awareness by implying that he is unable to recall life before Eppie.

Câu 4: 1 điểm

The narrator uses the phrase “making trial of everything” (line 7) to present Eppie as

A.  

friendly.

B.  

curious.

C.  

disobedient.

D.  

judgmental.

Câu 5: 1 điểm

According to the narrator, one consequence of Silas adopting Eppie is that he

A.  

has renounced all desire for money.

B.  

better understands his place in nature.

C.  

seems more accepting of help from others.

D.  

looks forward to a different kind of future.

Câu 6: 1 điểm

Which choice provides the best evidence for the answer to the previous question?

A.  

Lines 9-11 (“The gold... itself”)

B.  

Lines 11-16 (“but Eppie... years”)

C.  

Lines 41-43 (“Then... stillness”)

D.  

Lines 61-63 (“shapes... for”)

Câu 7: 1 điểm

What function does the second paragraph (lines 30-52) serve in the passage as a whole?

A.  

It presents the particular moment at which Silas realized that Eppie was changing him.

B.  

It highlights Silas’s love for Eppie by depicting the sacrifices that he makes for her.

C.  

It illustrates the effect that Eppie has on Silas by describing the interaction between them.

D.  

It reveals a significant alteration in the relationship between Silas and Eppie.

Câu 8: 1 điểm

In describing the relationship between Eppie and Silas, the narrator draws a connection between Eppie’s

A.  

physical vulnerability and Silas’s emotional fragility.

B.  

expanding awareness and Silas’s increasing engagement with life.

C.  

boundless energy and Silas’s insatiable desire for wealth.

D.  

physical growth and Silas’s painful perception of his own mortality

Câu 9: 1 điểm

Which choice provides the best evidence for the answer to the previous question?

A.  

Lines 1-9 (“Unlike... her”)

B.  

Lines 30-41 (“And when... flowers”)

C.  

Lines 46-48 (“Sitting... again”)

D.  

Lines 53-57 (“As the... consciousness”)

Câu 10: 1 điểm

As used in line 65, “fine” most nearly means

A.  

acceptable.

B.  

delicate.

C.  

ornate.

D.  

keen.


 

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